No End (2Cd)

Opis

No End (2cd)Opis:Product DescriptionRecorded at his home studio in 1986, the double album No End illuminates hitherto undocumented aspects of Keith Jarrett's music. He is heard on electric guitars, electric bass, drums and percussion, overdubbing tribal dances of his own devising: "Somehow something happened during these days in the 80s that won't ever be repeated," he writes in his liner notes. "There was really, to my knowledge, no forethought or composition - in the typical sense - going on; just a feeling or a rhythmic idea or a bass line concept or melody. None of this was written down." On the instrumentation: "Drums were always with me in some way," Jarrett reflects. "I have always been drawn to instruments that you touch directly, without a mechanism in between. Therefore, I cannot say that I have ever loved the piano as much as the drums or guitar. And, though I have a reputation for being in the acoustic world, I have always loved electric guitar." With, primarily, these instruments (piano this time has only a cameo role) Jarrett has shaped one of his most unusual albums. No End is released simultaneously with the solo piano Concerts: Bregenz/München, a three-disc set making its first complete appearance on CD. These album releases complete an important year for Keith Jarrett on ECM. In January 2013 came the re-issue of Hymns/Spheres, followed by the standards trio's Somewhere in June J. S. Bach's Six Sonatas for Violin and Piano, with Michelle Makarski, Jarrett's first classical recording since the mid-1990s. Personnel: Keith Jarrett (electric guitars, fender bass, drums, tablas, percussion, voice, recorder, piano)Review(4 stars) Jarrett impresses with his clarity of ideas and accomplishment...there is an optimistic buoyancy in this music that communicates over 20 pieces...

Sometimes you have to pinch yourself as a reminder that all these sounds were made by Keith Jarrett. --Jazzwise, (Stuart Nicholson), February 2014It really is quite an enjoyable listen, especially if, as Keith suggests, you turn the volume up. This not only picks up all the nuances of the electric instruments, but also Keith's singing along (yes, in tune!) and it lets the music function as it should: as a set of improvised grooves, loose, trance-like and open ended...it is richly funky at times. --The Jazz Breakfast, (Peter Bacon), December 6, 2013As a series of overdubbed improvisations with, he claims, "no forethought or composition", it's quite amazing. How did he manage to keep all those moving parts in his head? More a curiosity than a masterpiece, but a real prize for Jarrett completists. --The Observer, (Dave Gelly), November 24, 2013Fans of the great man (of which I must admit to being) will find it reflective, interesting and enjoyable. --Bebop Spoken Here, (Steve H.), November 18, 2013As a series of overdubbed improvisations with, he claims, "no forethought or composition", it's quite amazing. How did he manage to keep all those moving parts in his head? More a curiosity than a masterpiece, but a real prize for Jarrett completists. --The Observer, (Dave Gelly), November 24, 2013Autor:Keith JarrettNośnik:Płyt:Język: English: Published; English: Original Language; EnglishData wydania: 2013-11-11Waga: 0.22 gramWysokość: 0.4 cmSzerokość: 5 cmDługość: 5.6 cmI > XXNo EndI > XXNo EndI > XXNo EndI > XXNo EndI > XXUWAGA: Kupując produkt na tej aukcji zgadzasz się na wydłużony termin realizacji wysyłki (10-14 dni roboczych). Podany towar pochodzi z zagranicznego magazynu, stąd wydłużony czas realizacji który podany jest obok.